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First year students from the class of 2021 receive their medallion's during a ceremony at Herrick Chapel

Our Visual Language

Our Visual Identity

Ä¢¹½´«Ã½â€™s visual identity represents the institution at the most basic visual level. It’s a signature, a stamp of quality, and a symbol of pride for all of us to rally behind. By following a few simple guidelines, we can ensure that our identity remains unmistakably ours.

Logo

Ä¢¹½´«Ã½ primary logo

Primary Logo

This is the singular expression of Ä¢¹½´«Ã½â€™s institutional mission and academic brand.

Our logo is the primary identifier for the College, connecting all entities within our institution. It has two parts: the laurel leaves icon and the wordmark. It’s a symbol of what we stand for, and should always be used in accordance with these guidelines.

Primary lockup for Division of Social Studies

Logo with Primary Lockup

The entities in this grouping have the role of furthering the mission of the College and deliver directly on the student experience. So their names appear directly beneath the master logo, both to reinforce its strength and to elevate their individual reputations.

There are four categories within this group, covering academic and administrative entities. All of the categories use the same lockup structure, with the Ä¢¹½´«Ã½ logo and the full name of the entity.

  • academic divisions, departments, and concentrations
  • academic centers and institutes
  • academic programs and entities
  • administrative offices and resources
Secondary lockup of Writers at Ä¢¹½´«Ã½, English Department

Logo with Secondary Lockup

The entities in this grouping support the mission of the College but rely on the Ä¢¹½´«Ã½ brand to build equity. Their names are visually linked with the master logo, and always accompanied by a secondary identifier, as shown here.

There are two categories of these entities: academic and administrative. Both use the same lockup structure.

  • Academic programs
  • Administrative centers, offices, and organizations

Endorsed Logos

Museum of Art, Golf Course, Bookshop, and Athletics logos

These are entities that reach beyond the College. They may have their own brand equity or distinction, or may serve additional audiences outside the College. In some instances, these entities may maintain a distinct identity or mark, used in conjunction with the master logo or the Ä¢¹½´«Ã½ name. It’s important to note that Ä¢¹½´«Ã½ Athletics is included in this category. Athletics maintains its own identity and spirit mark; the use of the master logo is not recommended.

Typography icon

Typography

Ä¢¹½´«Ã½â€™s typography is flexible enough to meet a wide range of situations and requirements. When it’s used thoughtfully and consistently, typography becomes a powerful branding tool that can add visual meaning to what we communicate.

The following are our official font families and their recommended usage:

Cooper Hewitt 

Font Sample: Cooper Hewitt Family

Cooper Hewitt Heavy or Book versions should be used in headlines. Cooper Hewitt Light can be used in eyebrow headers. Cooper Hewitt Bold can be used in statistics blocks, callouts, and other highlights. No other variations of the font should be used.

Faculty Glyphic

Font Sample: Faculty Glyphic Regular

Faculty Glyphic Regular should be used in sub-headlines in digital and print materials. No other variations of the font should be used.

Work Sans 

Font Sample: Work Sans

Work Sans should be used for body copy in digital materials, like the campus website and other online publications. 

Paradigm Pro (print only)

Paradigm Pro is a serif font and can be used for body copy only in print content, like publications, promotional materials, postcards, and the like. 

Licensing and Implementation

Licensing and additional usage information for official fonts is being developed as we transition to these new styles. In the meantime, contact communications@grinnell.edu if you have questions or need access to these fonts.

Alternative System Fonts

Our brand fonts may not always be available to everyone for use in Word documents, PowerPoint presentations, or other digital applications.

The alternate fonts listed here are freely available on all computers. 

  • Arial Black is the acceptable substitute for Cooper Hewitt Heavy and Bold. Use the regular version of Arial as a substitute for Cooper Hewitt Light.
  • Garamond is the acceptable substitute for Faculty Glyphic Regular and Paradigm Pro.
  • Verdana is the acceptable substitute for Work Sans.

Color Palette

Our color palette is simple and sophisticated. It relies mainly on PMS 485 for identity elements, along with black. Bright and dark accent colors and secondary tints are for additional levels of content in layouts.

Many factors contribute to consistent and accurate color reproduction. These include always using the correct color formulas, selecting quality papers when printing, and choosing qualified people and machines to put color on paper. Screen-based applications require similar care and consistency.

Primary Colors

Our primary colors are PMS 485 and black. They represent Ä¢¹½´«Ã½ at the highest level and should be present in all communications.

Black Hex 000000

Black

R.0 G.0 B.0
HEX: 000000
C.0 M.0 Y.0 K.100

Dark

red box - placeholder

Ä¢¹½´«Ã½ Red

PMS 485
R.218 G.41 B.28
HEX: DA291C
C.0 M.95 Y.100 K.0

Medium

Cool Gray 1 Hex E5E6E4

Cool Gray 1

Cool Gray 1
R.229 G.230 B.228
HEX: E5E6E4
C.4 M.2 Y.4 K.8

Light

Camera icon

Photography

Photography is a compelling tool for portraying the diverse and dynamic nature of our community. It can quickly capture the Ä¢¹½´«Ã½ experience and connect deeply with people. 

The words we use can describe what we’re doing to challenge convention and shape the future. But it’s our images that actually shows it.

Photography plays a major role in how we communicate. Whether you’re pulling from our existing library or you’re shooting new images, each photograph should focus on one of the following categories.

  • North campus at sunset

    Place

    These are the spaces that foster our community. It’s important to show them authentically, so these shots should always feel natural and include people. Some scenes will include architecture, and composition will be an important tool in telling our story in a compelling way.

  • Students in Herrick Chapel

    Community and Academics

    Photos in this category should express a sense of community that can only happen at Ä¢¹½´«Ã½. This is the chance to capture the culture as it happens during student and alumni events—on campus, in Iowa, and beyond.

  • Skateboard rack in JRC

    Personalities

    Showing the details that make up Ä¢¹½´«Ã½ can complete a story or illustrate an idea. These images should never be the focus of a communication piece, nor should they shift the visual story to lose sight of the people who live among these details.

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